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Ami - who is the minimum boy-outrageous of them - remarks that she could get a boyfriend too. Along the way, there’s a Western ghost town populated by zombie cowboys a rolling, sentient tumbleweed soothsayer acknowledged as Sage, portrayed by a gently aflame Keanu Reeves a entire little bit the place they become gambling addicts and shed their minds an elaborate courtroom demo and at the very least two addresses of "My Heart Will Go On." It’s Thelma and Louise fulfills The Quick and the Dead satisfies Inception satisfies Barb and Star Go to Vista del Mar meets Rain Man meets Inherit the Wind, and somehow it’s also a summer months-camp motion picture? It’s a coming-of-age movie that performs like a thriller, its most important character navigating a brutal institution in which masculinity, racism, nationalism, and violence are all inextricably joined, and obtaining an unpredicted link with fellow conscript Dylan (Ryan de Villiers). The Power elegantly knits with each other atmospheric terrors and institutional types, delivering a reminder that it’s not constantly the issues that go bump in the evening that are the true menace. It’s a tangle of suspicion, shame, and buried memory, and the land gets a little something of a metaphor for the corrosive electric power of evil as our hero wanders all-around this shriveled, devastated group.